Chromatic Aberration, purple fringing, green fringing, CA… call it what you will, it can be really distracting in an otherwise beautiful image.
How do you remove it, and can Adobe Lightroom simplify the process? It sure can, and I’ve made a quick video to help you understand Lightroom’s defringe tool, how to use it, and what to watch out for when you do. As with all my Lightroom Minute videos, this one is quite short so you can get back to work rather than listening to some blow-hard for 20 minutes trying to get to just the 1 minute of content that you really need. If you appreciate the brevity, please subscribe to my channel and consider sharing this article.
Canon CPS was kind enough to send me a loaner 200mm f2 L IS USM, and I just came back from using it on a shoot. Unfortunately for my bank account, I think I’m in love.
I photograph people. 90% of my work is weddings, and the remaining 10% is wedding-related (engagement sessions and the like.) I already own the 70-200 f2.8 L IS USM mk II. Both are excellent lenses, but since I work primarily on primes I’m spoiled in the IQ department. (IQ = image quality. I heard you snerking!) That coupled with the fact that some most churches simply have terrible lighting has always kept me curious about the 200mm f2.
It’s hard to imagine a lens that delivers better IQ than Canon’s 85mm f1.2 L mk II, but this just might be it. Glowing skin tones, wicked sharp, and perfectly controlled CA all wide open at f2 – this lens is sexier than Marilyn Monroe on a steaming manhole cover.
Yup, it’s big. Without hoods, the length is only slightly longer than the 70-200 f2.8, but the girth of the 200mm prime… well that’s something else entirely. It makes the 70-200 look like a scrawny little pencil.